Isaac Asimov’s Foundation Trilogy was a revelation to me as a young man, and I read it often, especially during moments of stress and anxiety because its scope was a huge, galactic empire over millennia. It was the heaviest influence an online game I designed and I refer to it often in my memoir NIGHT PEOPLE, Book 1 of Things We Lost in the Night. I thought about writing my own post about it but when I ran across Paul Krugman’s article, I decided he’d hit the nail with a much bigger hammer. – Larry J. Dunlap
There are certain novels that can shape a teenage boy’s life. For some, it’s Ayn Rand’s Atlas Shrugged; for others it’s Tolkien’s The Lord of the Rings. As a widely quoted internet meme says, the unrealistic fantasy world portrayed in one of those books can warp a young man’s character forever; the other book is about orcs. But for me, of course, it was neither. My Book – the one that has stayed with me for four-and-a-half decades – is Isaac Asimov’s Foundation Trilogy, written when Asimov was barely out of his teens himself. I didn’t grow up wanting to be a square-jawed individualist or join a heroic quest; I grew up wanting to be Hari Seldon, using my understanding of the mathematics of human behavior to save civilization. The fantastical tale offers a still-inspiring dream of a social science that could save civilization. –Read more from The Guardian …
- Paul Krugman won the Nobel memorial prize in economic sciences in 2008 and is a columnist for the New York Times
Kiana Davenport’s book House of Many Gods is a wonderful generational novel, beginning in the mid-Sixties and running to present day, along the Waianae coast of Oahu, a neighborhood largely unknown to the outside world. It houses the third-largest homeless population in the United States, made up of mostly ghettoized native Hawaiians. In this novel, set in a house shared by many and various mothers, their children and the occasional father, a story about a young girl takes place. Abandoned by her mother, she struggles within a culture clash within the only home she’s ever known, her expectations, the outside world, and how to love. During the book she finds a way through much of the tragedy and poverty around her to become a doctor, eventually connect the pieces of her life, and travels halfway around the world to rescue a man, also struggling in his native culture, that she’d refused to love. At least as important as the story she tells, Kiana’s descriptions and narrative, as lush and rich as a tropical rainforest, brings along the deep abiding spiritualism of a Hawaiian spirit subjugated by a profusion of foreign influences, from the missionaries to the more recent intrusions of Asian, and most of all, the United States, influences. It’s as if Kaui Hart Hemmings (The Descendants) meets Gregory David Roberts (Shantaram) in Hawai’i. I rank Kiana Davenport alongside my favorite, and most influential authors, Hemmings, Donna Tart, Marisa Pessl, and Dennis Lehane. This will be a read you cannot put down and will never forget.
As a side note, Kiana’s books about Hawai’i, especially this one, have influenced my new book, Enchanted. This review about a year and a half ago, and I feel as strongly about this book now as I did then.
74 seems to be a fatal number. So many greats falling by the wayside at this milepost. Since it’s my number, can’t help but wonder, but I don’t think it’s my time yet. I’ve still got things to say … Read this fascinating article about Paul Kantner and Signe Toly Anderson, Airplane’s first girl vocalist. She was 74, too
It was sad enough that Jefferson Airplane founding member Paul Kantner, the keeper of the famed San Francisco band’s flame throughout its turbulent half-century, died last week, from heart failure. A deeper melancholy set in with news of the death the same day of the Airplane’s first female vocalist, Signe Toly Anderson, from cancer. Both were 74.
Rolling Stone reached out to all the major candidates, conducting new interviews, examining rally playlists and digging deep into their musical history to find out. Some of what we discovered was predictable (Ted Cruz claims he “didn’t like how rock music responded” to the 9/11 attacks and turned to country), and some of it was surprising (Mike Huckabee will talk your ear off about Grand Funk Railroad).
From Hillary Clinton and Selena Gomez to Marco Rubio and N.W.A, here are the candidates’ favorite musicians
Hard to wrap my head around the passing of so many members of iconic bands who are leaving our musical landscape more barren every day.
“Hotel California” rocker “succumbed to complications from rheumatoid arthritis, acute ulcerative colitis and pneumonia,” band says in statement.
Many of the medications that treat the autoimmune disease, come with a slew of possible side effects, from heart failure to tuberculosis.
From Susan Shapiro –
“Do you watch Dennis Leary’s new FX show ‘Sex & Drugs & Rock & Roll’ about a crazy old time rock-in-roller? Well, Larry Dunlap lived it. His memoir ‘Night People’ is a frank, funny, frenzied chronicle of the 60’s music scene.” – Susan Shapiro, New York Times bestselling author of the acclaimed memoirs Lighting Up, Only as Good as Your Word and Five Men Who Broke My Heart.
I’ll be going in to Santa Monica next Tuesday night to see Sue read from her new book “WHAT’S NEVER SAID.”:
L.A. READING OF “WHAT’S NEVER SAID”
with ASPEN MATIS (“Girl In The Woods”)
& ALISON SINGH GEE (“Where The Peacocks Sing”)
Santa Monica Barnes & Noble
1203 3rd Street, 3rd Street Promenade
Tuesday September 15 from 7-8 pm
It’s free & open to the public so join us if you can
I’m afraid I’d disappoint a lot of people who really watch S&D & R&R TV show on FX ( I watch it avidly) since we were never as crazy and weird as Johnny Rock and the Heathens. Btw, if you haven’t see it yet, it’s a hoot, and every once in a while I see something I can relate to, especially when they are all visiting a psychiatrist together…
Here in the United States in the middle sixties, there was always a friendly competition between East Coast and West Coast bands, personified by the Beach Boys and the Four Seasons. And though there became a creative competition between the Beatles and the Beach Boys, the long and winding visceral rivalry for the Beatles has always been the Rolling Stones. Especially as they put their own opposing brands onto rock and roll stardom as they entered the Seventies. You always had to choose if you were a Beatles fan or a Stones fan. Though I didn’t care for the Beatles originally, as I mentioned in Night People, I did come to appreciate them, and to be astonished, let alone highly influenced, by “Sergeant Pepper’s Lonely Hearts Club Band,” as you’ll read about it in Enchanted, should you chose to read it.
I didn’t care much for the Stones when I first heard them either, and even now I only grudgingly appreciate some of their classic songs like “Symphony for the Devil” and “Gimme Shelter.” Especially since I had to sing several Stones songs, all of them non-melodic, like “Get Off Of My Cloud” and “Satisfaction.” However Keith Richards has now officially hit my idiot list with his criticism of the Sergeant Pepper album. In a recent interview for Esquire Magazine, without provocation Keith volunteered:
“The Beatles sounded great when they were the Beatles. But there’s not a lot of roots in that music. I think they got carried away. Why not? If you’re the Beatles in the ’60s, you just get carried away—you forget what it is you wanted to do. You’re starting to do Sgt. Pepper. Some people think it’s a genius album, but I think it’s a mishmash of rubbish, kind of like Satanic Majesties—”Oh, if you can make a load of shit, so can we.”
What? Are you kidding me? Read more about weird Keith in this Huntington Post UK article.