The topless craze in North Beach that rocked San Francisco during the 60s began with the legendary Carol Doda. She was an amazing character and a true San Franciscan. She died Wednesday, November 11, 2015. She was 78 and I’m sorry to be just finding that out and writing about her now. I didn’t know her but by all accounts she was well-liked and in her later years had her own clothing store. She was a Californian icon and I hate to see them pass. We worked in a topless club, the Galaxie, just across the street from the Condor Club, for most of 1966 with our own covey of topless dancers, singers, and showgirls, who befriended us and helped acclimate us to working on Broadway in the City. We were still fresh from Indiana after slaving away in the dive bars across the Bay, and it took some getting used to. It was one of my favorite years….
This short video is from the Channel 7 ABC News in San Francisco.
One of the best biographies written by a musician!
A Riveting, Mythic, Rock and Roll Memoir
Wonderful! Excellent Read!
A Great Read
A Window Into a Fascinating Era
Rock and Roll, baby!
A Must Read
A Great Read About An Exciting Life
Music Has Found Me Again
SO Worth Reading!
My Life Seemed Extremely Boring After Finishing “Night People”
Lessons of Life, Love, and Sex in the 60s
Genuine, Exciting, Graphic and Memorable – life in the 60’s
Fantastic Coming of Age Memoir!
Great Look At An Era
Meant to be savored
Rock and roll band life
Passion for music
Car Thieves take me away!
Kiana Davenport’s book House of Many Gods is a wonderful generational novel, beginning in the mid-Sixties and running to present day, along the Waianae coast of Oahu, a neighborhood largely unknown to the outside world. It houses the third-largest homeless population in the United States, made up of mostly ghettoized native Hawaiians. In this novel, set in a house shared by many and various mothers, their children and the occasional father, a story about a young girl takes place. Abandoned by her mother, she struggles within a culture clash within the only home she’s ever known, her expectations, the outside world, and how to love. During the book she finds a way through much of the tragedy and poverty around her to become a doctor, eventually connect the pieces of her life, and travels halfway around the world to rescue a man, also struggling in his native culture, that she’d refused to love. At least as important as the story she tells, Kiana’s descriptions and narrative, as lush and rich as a tropical rainforest, brings along the deep abiding spiritualism of a Hawaiian spirit subjugated by a profusion of foreign influences, from the missionaries to the more recent intrusions of Asian, and most of all, the United States, influences. It’s as if Kaui Hart Hemmings (The Descendants) meets Gregory David Roberts (Shantaram) in Hawai’i. I rank Kiana Davenport alongside my favorite, and most influential authors, Hemmings, Donna Tart, Marisa Pessl, and Dennis Lehane. This will be a read you cannot put down and will never forget.
As a side note, Kiana’s books about Hawai’i, especially this one, have influenced my new book, Enchanted. This review about a year and a half ago, and I feel as strongly about this book now as I did then.
74 seems to be a fatal number. So many greats falling by the wayside at this milepost. Since it’s my number, can’t help but wonder, but I don’t think it’s my time yet. I’ve still got things to say … Read this fascinating article about Paul Kantner and Signe Toly Anderson, Airplane’s first girl vocalist. She was 74, too
It was sad enough that Jefferson Airplane founding member Paul Kantner, the keeper of the famed San Francisco band’s flame throughout its turbulent half-century, died last week, from heart failure. A deeper melancholy set in with news of the death the same day of the Airplane’s first female vocalist, Signe Toly Anderson, from cancer. Both were 74.
A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today. Source: Summer of Love: The History of San Francisco Music in the ’60s and its Influence Today
A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today.
The year was 1967 and the place was San Francisco. It was the Summer of Love; a season of creative expression, free society, cultural revolution and arguably the beginning of what we now enjoy as modern music festivals.
I hit the road for Outside Lands this week and I can’t help but reflect (or slightly obsess) over the rich musical history that once graced the Bay Area. It was a time like no other — it was pure, quick-moving, and psychedelic — the Summer of Love irreversibly changed our culture forever. I grew up in Northern California, an hour outside of San Francisco, with my dad’s vinyl collection on continual rotation. The likes of David Crosby, the Doors, and the Who were constant companions of mine and I was captivated by an early age. I was in. But, alas, two decades too late… so this year I wanted to make a point to research this beautiful history and experience “today’s” San Francisco music festival with this knowledge in my back pocket. To feel the energy of the past, to respect the history and the people who pushed an artistic and creative generation forward.
Lest we forget. I remember too, Joanna. The first third of NIGHT PEOPLE takes place in 1965 and 66 in the music and nightlife of San Francisco. A fantastic time, though not all just good-time music festivals. And there were powerful musical stories taking place outside of Golden Gate Park, as well.