Larry and Andrew will be at the LA Times Festival of Books on Sunday on the USC Campus to give away promotional copies of Things We Lost in the Night, Night People. We’ll be in the Greater Los Angeles Writers Society (GLAWS) Booth 953 from 12:20 to 2:00 pm, Sunday afternoon, the 19th of April. The event is free, though parking is not.
Please drop by and see us if you plan to be there. If you’d like to pick up a free Advance Reading Copy of TWLitN, please let me know at [email protected] so we’ll be sure to have enough books on hand.
(Update from post in March 2011 – larryjdunlap.com/ljd-blog) An amazing thing has happened on YouTube. One of the things we all mourn is the loss of one the first music videos ever, which we did in Hawaii for “Look Back in Love” in 1968, the song was supposed to become our first big, national hit. Not only did it feature the band, but also the Hawaiian girl I met there and later married, (Things We Lost in the Night, A Memoir of Love and Music in the 60s, Book 2: Enchanted). I finally located the cinematographer who shot it but he told me it was lost in a fire. It appears that there are many modern admirers of the band who have taken our music to YouTube. While noodling around on the web I somehow got to a wikipedia page that mentioned Jan Hutchins and Maurice Williams and the Zodiacs, and then a link to a YouTube video (below) that was weird. But first things first. Here is the first video to kick this montage off …
Look Back in Love
CLICK ON THE LINK BELOW TO SEE ALL THE YOUTUBE VIDEOS
DON”T MISS IT. Tonight The Sixties on CNN, 9 pm (EST), 6 pm (PDT), plus there are usually several re-runs. Covers the war from its beginnings through 1968. The face of war changed forever with this escalation. Combined with the pictures that brought the brutality of the war to the home front, a new sense of power and disenfranchisement from the country’s youth, and the hangover from the loss of a young and popular president, the support for this war faded as the commitment to it by the government went up. Up until this war, as Bill Murray exhorts his army buddies it in Stripes, “We’re 10 and 1!”
For me, it was trying to find a way to stay with my band when the army was bound and determined to induct me. I had no political viewpoint in the beginning, and to the degree I did, I tended to trust the government implicitly then. That all began to change when it started to impact my life and I had to figure things out.
My most personal experience was when Stark Naked and the Car Thieves performed for a couple of months at a nightclub in Honolulu in April of 1968, as the buildup of American forces followed the Tet Offensive during the height of the Vietnam War. 80% of the guys in the club were either on R&R coming from the war or going home. The emotional power of the songs we played to remind these warriors of home, girlfriends and wives, high school, families, and buddies, some of them lost by their side, came through to all of us there. As the messengers through our music we became instant friends, somehow passed into the intimacy of one solder to another, and it was all we could do to hold onto our own feelings sometimes. We heard many stories from the battlefield, reminisces from home and witnessed soldiers at the outer limits of their ability to endure. But as humans do, they found humor and understanding and love in their experiences. While they thought we were enriching their lives, it was they who were enriching ours.
Over the last few years I have received a surprising number of messages from soldiers who saw us at the Lemon Tree on the beach in Waikiki. To a man they remember us for the music and how it helped connect them to the things most important to them. God love them all.
In a recent update to the update newsletter for LOOK BACK IN LOVE, a 60s tale of love and rock n roll, I promised on the book’s website to write about who would be portraying our personal manager Seymour Heller in the recent HBO movie, Behind The Candelabra. At the time I hadn’t actually seen the movie yet. Seymour Heller was best known for managing Liberace from a struggling pianist to a gigantic international star but he also managed Debbie Reynolds, and a long list of famous stars, that also included, Stark Naked and the Car Thieves in the late sixties. I not only knew Seymour from the three years he worked with me as the bandleader in managing our act from during those years, but also for the nearly three years later when I worked directly for him as an associate personal manager in the early 70s. I think that gives me enough credibility to comment frankly on this movie and how he and Liberace were portrayed. While I didn’t know Liberace nearly as well as Seymour, I met him often in the years when our band played at the Flamingo and International (Now Hilton) Hotels in Las Vegas, and afterwards working with Seymour.
Let me set aside for a moment my thoughts about the actual content of the movie. With several later years experience in video, film and post production, I have some strong opinions about the actual movie making process itself. As the movie unfolded, my wife Laurie and I constantly looked at each other wondering what in the hell we were seeing. The screenplay was just flat and poorly written — one-sided, un-nuanced and trite. It was adapted from an adversarial memoir, Behind The Candelabra, My Life With Liberace, by Scott Thorsen, who sued Liberace for palimony and is played by Matt Damon as a victim of Liberace’s seduction. Replace the gay young man with a young girl and any rich movie star or entertainer and you have the most over-worked Hollywood story ever written. Despite the amazing cast of characters, their performances were flat and one-dimensional and so many possible themes that could have been interesting and relevant were skipped in favor of the film’s exploitative goal. I thought the direction was uninspired, the cinematography average or below. I would be hard pressed to find any redeeming quality about the movie, amazingly enough, not even costumes.
I’d found it hard to understand why Seymour Heller was being played by Dan Ackroyd when I first heard about it; Sy was a personable guy but hardly a comedian. I heard a fiction writer say the best way to make a story believable was to make nine out of every ten facts in the story accurate. Apparently both the memoir and the screenwriter used this principal along with spin to deliver an inaccurate defamation of Liberace and an interpretation of Seymour Heller as a buffoon and pimp. I could never have believed the stars in this movie, many who must have known them both, would have taken part in such a character assassination of Liberace, or the parodying of an important and foundational man in the entertainment business as Seymour Heller if I hadn’t seen it for myself. Especially now that they are now dead and unable to defend themselves.
Let me tell you what I know firsthand. Seymour Heller, along with his New York partner, Dick Gabbe, practically invented the term personal manager. He fought to establish the talent management profession and worked with the big New York and Hollywood agencies to setup the rules that allowed them to co-exist. He established the Conference of Personal Managers, COPM, the first professional talent manager’s organization. Seymour began managing Liberace on a one year handshake contract in 1950 until Liberace’s death. Seymour was a tough negotiator and strict with his artists, and fought for them tooth and nail. He was a gentleman and wise in the ways of show business. There was nothing accurate in his portrayal in Behind the Candelabra. While we didn’t agree on everything, and I eventually struck out on my own, I always held Seymour and his integrity in the highest regard.
As for Liberace, he was an extremely kind and gracious host every time I met him. I did understand him to be thrifty, perhaps even tight-fisted except when it came to expenses for his show. Never did I see anything of the predator he is cast as in this movie. With Behind the Candelabra receiving 8 Creative Emmys, and likely to win several 2013 Emmy Awards I can’t help but feel sickened. I can’t believe I watched the same film. The cartoonish portrayal of Seymour and the single-minded depiction of a predatory Liberace disgust me. Very hard for me to see some of my favorite actors like Matt Damon, Michael Douglas, Scott Bakula, Dan Ackroyd, Debbie Reynolds in such damning roles.
If you do decide to see, or have seen the movie, I hope you’ll keep my opinions in mind.
Stark Naked and the Car Thieves – Rag Doll/John Lieu designed suits
By 1968, Stark Naked and the Car Thieves’ home base in LA was the Rag Doll at Lankershim and Victory in the San Fernando Valley. The club owner, Tony Ferra, promised the band a week’s paid vacation for helping his nightclub become the most successful night spot in the Valley and among the most successful in LA. It was going to work out perfectly for Mickey, our bass player’s plans for deer hunting season. Unfortunately, when we got there late in the year, it was the LAST DOLL. Tony had sold the Rag Doll to Eddie Nash, owner of the Seven Seas on the Sunset Strip in Hollywood. Most people who read the book won’t know who Eddie Nash was, and I don’t explain because at the time, I didn’t realize who Eddie Nash was either.
(For several decades, Adel Nasrallah [Eddie Nash] was the wealthiest and most dangerous drug dealer/gangster operating on the West Coast.
– Allan MacDonell: In Too Deep. LA Weekly, 2 October 2003)
ALSO INCLUDED IN EXCERPT:
Following our last engagement at the Rag Doll, Seymour Heller, who managed Liberace, was gradually assuming our personal management from Jimmy O’Neill. He’d used his influence to get us a cherry, long term engagement headlining the Flamingo Hotel’s new Skyroom. It was a combination dance and show room, overlooking the Las Vegas Strip at Las Vegas Boulevard at Flamingo Boulevard, the most important crossroads in town. He wanted us to look great and he knew how to make that happen. He arranged for Liberace’s tailor, John Lieu, to help us design new suits (Burgundy ones pictured above). I thought you might like to read about how that fitting went as well.
Some other mentions of Eddie Nash:
• The character Rahad Jackson (played by Alfred Molina) in the 1997 movie Boogie Nights is loosely based on Eddie Nash.
• The 2003 movie Wonderland, in which Eric Bogosian played Nash, revolves around the Wonderland murders.
There are many more details about Eddie Nash, born Adel Gharib Nasrallah in Palestine, at his own Wikipedia entry: http://en.wikipedia.org/wiki/Eddie_Nash. Included here are the surprising number of well-known night clubs he owned in the LA area.