Summer of Love

The History of San Francisco Music in the ’60s and its Influence Today

A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today. Source: Summer of Love: The History of San Francisco Music in the ’60s and its Influence Today

 

A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today.

The year was 1967 and the place was San Francisco. It was the Summer of Love; a season of creative expression, free society, cultural revolution and arguably the beginning of what we now enjoy as modern music festivals.

I hit the road for Outside Lands this week and I can’t help but reflect (or slightly obsess) over the rich musical history that once graced the Bay Area. It was a time like no other — it was pure, quick-moving, and psychedelic — the Summer of Love irreversibly changed our culture forever. I grew up in Northern California, an hour outside of San Francisco, with my dad’s vinyl collection on continual rotation. The likes of David Crosby, the Doors, and the Who were constant companions of mine and I was captivated by an early age. I was in. But, alas, two decades too late… so this year I wanted to make a point to research this beautiful history and experience “today’s” San Francisco music festival with this knowledge in my back pocket. To feel the energy of the past, to respect the history and the people who pushed an artistic and creative generation forward.

Aug 04, 2015

 Posted by

Lest we forget. I remember too, Joanna. The first third of NIGHT PEOPLE takes place in 1965 and 66 in the music and nightlife of San Francisco. A fantastic time, though not all just good-time music festivals. And there were powerful musical stories taking place outside of Golden Gate Park, as well.

 Posted by Larry J.

Night People review – Readers’ Favorite

This is a review of NIGHT PEOPLE, Book 1 – Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves from Readers’ Review. Thank you, Mamta!

Reviewed By Mamta Madhavan for Readers’ Favorite

Things We Lost in the Night: A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves by Larry J. Dunlap is an honest memoir in which the author has carefully depicted his years as a young and struggling musician, along with his friends as they strive for fame and fortune. The book also captures the essence of the 1960s when there was a cultural and musical shift. Their transformation from a small band to that of a famous one and their successes change Larry’s perspective on a lot of things in life. In a nutshell, the memoir exposes the 1960s, the music industry, vocal groups, R&B cover bands, Las Vegas, San Francisco, Hollywood recording studios, the nightlife, and the sexual revolution that happened during that period.

The memoir connects with readers intimately as the author shares every small detail of his life. Readers are taken into the author’s world of music, the problems they face as a band, and their struggle for survival initially. The rise of the band opens the way for many other things, and the author also speaks about the sacrifices they make on their way to the top. Many moments in the author’s life are poignantly mingled with misery, happiness, music and sex. I found the book interesting as it speaks about music, the band, recordings and many other things related with music. The challenges the author faces in his life and his love life and other casualties make this memoir a very exciting read.

NIGHT PEOPLE – ON SALE NOW thru JULY 23 – $2.99

Book Cover for NIGHT PEOPLE, Book 1 - Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves

NIGHT PEOPLE

Book 1 – Things We Lost in the Night,
A Memoir of Love and Music in the 60s
with Stark Naked and the Car Thieves

ON SALE NOW for the next week – July 16 thru July 23 for $.299!

GET YOUR COPY NOW!

 

Author Interview with Sophia Tallon

First of all, tell us a little about yourself!

B&W-PROFILE-PIC-lo-resI’ve lived my life in several improbable incarnations. My memoir, Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves, tells about my years in music as a singer/musician/performer and a bit about where I was raised in Indianapolis, Indiana. After those six years contained in two books, NIGHT PEOPLE, which is being released on June 15 and ENCHANTED, due out early in 2016, I roamed Hollywood as a personal manager, record producer, and Sunset Boulevard recording studio owner. During my Hollywood years, I also wrote a music magazine column for a Southern California Lifestyle magazine and authored and drew a published music-based cartoon strip named Frets.

In the early Eighties, determined to find my way out of the music business, I conceived a crazy idea centered around my love for games, computers, a technology I was just discovering, and a suggestion from a friend involved in the rapid growth of cable television. Once written up as a proposal, the concept of led me on an amazing journey of developing the first digital broadcasting network on cable television. Though that company, The Games Network, went public and was very nearly successful, it was a bit ahead of its time. However, in the process, I earned my ‘street MBA’ and ‘on-the-job’ technical degrees in networking and software development. Though I spent a few years in independent video and film production, I returned to technical endeavors as a consultant, earning my professional writing bones as a pencil-for-hire technical and training writer for Fortune 50 companies. Over the years, I’d taken some of the game concepts from my cable television experience to design my own role-playing strategy multi-player game and learned enough to begin developing it while working for Hallmark’s Odyssey Channel. While a critical success, I was unable to turn it into a commercial one and returned to technical consulting until I was able to take on full-time creative writing. I married a girl I originally met when she was in a software training class I taught, and we now live in Southern California, quietly marinating in the sun. She is my muse.

What inspired you to become an author?

Many things, but first and foremost, reading. No matter what else I was doing in life from the earliest age that I could hold a book, I was always reading. I make a distinction between being a writer and being an author. I found I could accomplish a lot with writing, and it was what helped me in my role as CEO of a cable television company and then when I turned to full-time freelance technical writing. Designing my own game, Imperial Wars required tons of technical writing. I did make two or three real attempts to become an author, one of them while I was still playing the band that’s featured in Things We Lost in the Night. But I recognized early on that while I learned a lot about organizing the material I was going to write and the reality of deadlines that were very useful, there is an entirely different skill set necessary to write creative fiction: to become an author. But I have always believed there would come a time when I could give my full attention to learning those skills. I hadn’t really realized how much time it was actually going to take me until I took on this project.

What author influenced you the most?

In a general sense, far too many to mention. In the specific sense of my current book, there were ones who helped me understand memoir as a genre. It’s a form of creative non-fiction, bounded by the author’s memory. While it is based in truth, it is the author’s truth. I learned that I would need to use the tools of a novelist to reflect the memories that I’d shared with my band brothers and to bring out the compelling story throughline as I experienced it so it would be intelligible to readers. At first, I didn’t even know I was writing a memoir. I thought I was just relating some of the amazing adventures of a band in a crucial time of social change in our country’s history. But I came to understand that no matter how interesting I thought our adventures were, there were probably few readers who would understand them unless they could feel my emotions and see the story through my eyes.  I needed models for how to do that. I believe that three authors showed me the way for different reasons, so I hope I can be pardoned for picking more than one.
1. Cheryl Strayed – Wild. While I was discovering what memoir, as a genre, was about, I looked for other books in this field. Personally, I hadn’t read a lot of memoirs, and those I had I didn’t really care for. This author brought frank personal honesty to her writing, informing me of how I would have to reveal myself if I wanted my readers to feel how the events I experienced affected and changed me. She also demonstrated how powerful narration and exposition can be in a memoir.
2. Kaui Hart Hemmings – The Descendants. Most people probably remember the movie starring George Clooney, but it was an amazing and wonderful book first. And it’s fiction. However, after reading a lot of memoir, I realized that fiction, written as memoir, is a great teacher as well. This writer’s sharp insightful looks at human interaction made me catch my breath. Her description of a man caught in a web of emotions while his wife is in a life-threatening coma, finding that she’s been unfaithful, dealing with his pre-adolescent and teenage daughters with their own emotional responses, and his ongoing important professional responsibilities would have just been sad in the hands of a less skilled writer. Instead, she finds the lightness and humor in the life-in-death center of this story. As a part of my book deals with my own crisis and personal loss, I hope to somehow emulate her magical touch. But it’s probably beyond my reach.
3. Kiana Davenport – The House of Many Gods. The crisis I mentioned above revolves around Hawaii. I don’t want to get into the story itself, but there were crucial things that happened that I couldn’t understand when I began both books of this memoir, even after more than 45 years. Kiana gave me insight into the Hawaiian spirit, its strengths and weaknesses. Beyond that specifically, her authorial heart is worn on her sleeve as she writes. I can only describe her writing as ferocious and compelling. While I love Kaui’s light touch, I don’t want to lose sight of, or fear expressing strong emotions.

Do you have a favorite author? (Or name a few)

I would like to consider the three authors mentioned above as joining my favorite authors even though I’ve discovered them in the course of my own work, and I would add Mary Karr, who wrote Liar’s Club to the list. However, I have authors dating back to my science-fiction years who I’ve always loved and influenced me in earlier projects, including Isaac Asimov and his Foundation Trilogy, James Blish’s Cities in Flight novels, Alfred Bester, the author of my favorite science fiction book, The Stars My Destination, Gregory Benford and the Galactic Center novels, and Neal Stephenson’s Snow Crash. Although, in mystery, I love to read Michael Connelly and Robert Crais, I love Dennis Lehane’s early novels and feel the impact of his style the most.

What is the best writing advice you have ever received?

Organize. Know where you’re going. And write every day without fail. My current project is very large, since it actually contains both books written as one large story. But I’ve tried to follow the standard that there needs to be every word necessary to tell the story, and not a word more—or less. I probably don’t meet that standard exactly, but I aspire to it, and I’ve never had a reader tell me that NIGHT PEOPLE, this first book, feels too long. Taking on a project of this magnitude, I felt I needed to thoroughly understand my story arc. There are certain threads and themes that work their way through the entire six years. To do this, I built calendars and a long chart of months covering the years of Things We Lost in the Night. Then I overlaid it with the documented events I’d spent months collecting to use as milestones. When I could see where they landed, I added my remembrances, running as much of them as I could past my bandmates and friends who’d experienced parts of it. I connected the dots through the main characters and their story arcs. By making choices about what would be in the book, since not everything can, I was able to pull out certain points and flesh them out to reveal how our story moved and its emotional impacts. It was amazing how much I was learning about myself and my friends from this view. Deconstructing from there came chapters, scenes, and what needed to be in them. Once I had sections and chapters, I could approach the work in reasonable chunks of writing. I can’t say I came to this approach all at once, but I experimented until I found this path. I was guided by many years of technical writing where research and planning were necessary to deliver a cogent document.

What helps you write when you’re stuck or have writer’s block?

Another value of coming from a background of professional writing is that there is no such excuse as writer’s block. You can’t tell a client you can’t finish his specification or training curriculum because you have writer’s block. So I haven’t experienced it very much. In those moments where I’m not sure exactly what to do, I refer back to my diagrams and reexamine what’s going on, look for the connections between events and the characters, and find the character motivations or connecting events I’d forgotten or missed. We’re human beings, there is an emotional logic that goes into how we move through life. I’ve found this always works since I know the story. What I don’t understand are writers who tell me they let their characters take over their story and how that causes writer’s block when they try to figure out what comes next. I think an author’s job regarding characters is similar to that of a movie director—you can give them their head a bit as long as they stick to the storyline. That doesn’t mean your characters can’t grow or develop, but it’s your job as the author/director to make sure the overall story gets told.
Memoir has prepared me to write long-form because I believe I would immerse myself in a fictional story I wanted to write, to the point that I would feel as though it had actually happened in my author persona. The main difference is, in memoir, since you’re dealing with a whole memory over years, you have to find what must be removed to reveal the story, whereas in fiction, it takes accretion to build a story. But once you know it, if you’re blocked, it’s because there’s something mechanical going wrong in the story that you need to find by backing up to check out your big picture.

What are you working on currently?

ENCHANTED, the concluding book of the memoir. Fortunately, I wrote Things We Lost in the Night as a single story. I decided I was going to have to divide it into two books at a natural point in the storyline. It turned out to be exactly halfway in terms of time and, amazingly enough, a change in tone as well. While the first book is about the band struggling to survive and grow and me trying to figure out my personal life, in the second book, the band has achieved a comfortably high level of success, though not producing the hit records we wanted so desperately to achieve. I’ve finally discovered personal happiness and dare to tweak the ears of fate in an attempt to find a way to overcome the band’s greatest hurdle. The crisis in the band comes from struggling with our inability to ascend to that final rung of national prominence and, more importantly, from the security we’ve achieved. Our differences are separating us, rather than binding us together as they did when were traveling. The feeling that everything is perfect in my personal life turns in an instant into a quagmire of despair and a hurricane of emotions that threatens my sanity. Can I save either my band, or my family, or both—or neither?

When you’re not writing, what do you like to do?

It’s so embarrassing. When I’m not reading, I love to read, and I like to go to movies on weekday mornings when no one’s around. I’m at my computer every single day. It’s such a habit to write that I cannot face a day without it. Thank goodness my wife gets me out of the house for walks with our Chili Dog and to broadening events of various kinds. We live in a college town, and there are always presentations of some kind available. Sometimes, we get to Los Angeles for various musical events, too.

What are some of your most favorite books of all time?

I’ve probably mentioned them above, but for science fiction, it’s easy. The Stars My Destination. It should be a movie. Every once in a while, I think I’d like to do a movie treatment for it. I’ve seen it’s been optioned but never made. Can’t understand it. I also mentioned Snow Crash, a phenomenal book about an internet we still may see with the advent of virtual reality bringing the digital world closer and closer to interacting with the real world. It’s something I’m very interested in; my online game had a similar concept of part of the game being played in a game space while another part played in the wider meta-game of the real world.
For inspiration, I can always look to Richard Bach’s Illusions of A Reluctant Messiah, and Steven Pressfield’s Do The Work.
I love Dennis Lehane’s A Drink Before the War, and his other earlier books. I am in awe of Kiana Davenport’s The House of Many Gods, and Kaui Hart Hemmings, The Descendants.

Is there anything specific you’d like to try writing about in the future?

I can hardly wait to finish the memoir. I had some choices when I chose which to write, and I’m more than ready to pick one of those or maybe something entirely new. I had no idea this book would take five years and counting.
During the years I spent developing Imperial Wars, my graphical online multiplayer strategy game, I developed a backstory of a galactic empire on the brink of destruction. I’ve already divided that up into a trilogy and written a few chapters when I took a forced break after the memoir’s first draft.
I have been developing a present-day character that I’d like to write about. He is essentially an outlaw, dishonorably discharged from the army where he was a Ranger. He stands accused of a brutal act that he can barely remember in Afghanistan and struggles with bouts of mental illness. He takes odd jobs as an off-the-grid, off-the-book private investigator and squats in a rundown boat in a down-at-the-heels marina in Long Beach, California. I have an interesting idea for a first case that I’ve been discussing with an author friend of mine that deals with retribution, the death penalty, the murder of an elderly woman by a child, and a conspiracy.
Someone close to me suggested a series of fictional, based loosely on fact, sequels to this memoir. It makes me wonder …

Which of your characters do you love the most and why?

With the understanding that characters in a memoir are real people, they are still characters; it’s impossible to capture a whole human being in a billion words. So, as I’m always willing to admit, as soon as I put someone down on paper, they cease being flesh and blood but are reduced to a few lines of description, dialog, and action. With that said, I had to most fun writing about certain individuals we met, like our informal ‘pharmacist’ introduced in The Pharmacist and the Nurse chapter. The attorney who managed to snatch me from induction into the army is a wonderful character in The Prophet and the Lawyer chapter, along with the standup comic-in-waiting, moonlighting as a bartender. A girl I only knew as Kathy is a big favorite in Two Bricks and a Hundred Dollar Bill. Don’t want to leave out Eddie Pru, a mobster/entertainer who trained us in stagecraft, and his amazing girlfriend Torchie, in Torchie and the Pru, or Larry Lamb, the youngest brother of the Sheriff of Clark County, Las Vegas who allegedly filled Caesars Palace’s fountains with soap powder, who you’ll meet in Bonnie Springs Ranch. I love them all for their quirkiness.

Which one of your books are you most proud of?

NIGHT PEOPLE, since it’s my first full book. I’m proud of it because I feel as though I’ve captured the essence of each of the main characters and the band’s experience. I’m happy that the themes have come through without being overly obvious, but there, if you look for them, and that there is a complexity of real life about the books without the confusion of real life. I think there is a deceptive depth of layers to the story that allows re-reading. I know that most readers won’t notice the symbolism or threads, but I believe, subliminally, these things bring a feeling of depth to a book. On the other hand, I cannot look at this book without wanting to re-write parts of it—just one more time, please!

What is an interesting or hidden talent you have?

Patterns, though I’m not sure it’s a talent, it’s at least an attribute. I tend to see the world in a series of patterns, tendencies, and possibilities, rather than static in time.

Is there anything else you’d like my readers to know?

That I believe we are all a story, and that I’m immortal in the sense of relative time, and that I believe everyone else is too. Our stories coincide if we experience our relative times in a way that intersects with one another, but we always live in our own bubble of existence. We come into this world alone, live in it that way no matter how close we grow to others, and we leave it the same way. And that the universe is far, far, far more complex than we can ever know or give it credit for, and that we are way bigger than our stories in the here and now.

Where can we find you on social media?

You can find my book at Amazon at: www.amazon.com/NIGHT-PEOPLE-Book-Things-Thieves-ebook/dp/B00VL8L0VI/ref=asap_bc?ie=UTF8
My author website, including my blog, is: larryjdunlap.com
My author Facebook page is facebook.com/larryjdunlap.author
My Amazon author page is: amazon.com/author/larryjdunlap
My Goodreads author page is: https://www.goodreads.com/larryjdunlap
My twitter account is: @LarryJDunlap
My Instagram account is: www.instagram/larryinla
My Pinterest account is: www.pintrist.com/larryjdunlap
Whew!

(Posted from Sophia’s blog @ http://sophiatallon.blogspot.com/2015/06/author-interview-larry-dunlap.html?m=1)

NIGHT PEOPLE LAUNCH PRE-ORDER SALE!

Night People, Book 1 - launch on June 15thFRIENDS AND FAMILY PRE-ORDER SALE FOR KINDLE BOOK – $2.99

It’s almost here! NIGHT PEOPLE, Book 1 – Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves, goes public on June 15th. The print paperback will go allegedly go on sale at the same time, though we’ll see how accurate that is.

I’ve still got some free ARC books for anyone who would like to get one from me. Just let me know. I’ve got them ’til they’re gone.

In other news …

FOREWARD REVIEWS will feature NIGHT PEOPLE in it’s Fall catalog under the Biography/Memoir section along with 7 other books.We’ll also be mentioned in the AbFab section but the big news is being in the major part of the catalog. This catalog is racked at a majority of the Barnes & Nobles, something 11,00 libraries and several other places, plus the book will be shown at the American Library Association Exhibition in San Francisco later this month.

I’ve received 7 Goodreads reviews for NIGHT PEOPLE, and hope there will be more so we can open up on Amazon with a splash.

Why You Should Write A Five-minute Book Review

Here’s why you should take 5 minutes to write a book review. Because you liked the story. Because it helps the author. Because it might lead to the author writing and publishing another story  which you might like as well or better. Because if you don’t, you may not find another book by an author you like. Or a  similar one, in the same genre or writing style.

Have you ever had a favorite TV show, brand, or store suddenly disappear? I’ve wondered whether it was because people who liked them failed to tell others about it. It can happen to books and  authors as well. Books need reviews, and fortunately there are places online where your voice will be heard. For new authors especially, reader reviews are the single most powerful influence on potential readers. And you can do it by taking five minutes to write a short review to say, hey I liked this book, or I liked it a little, or even I hated it. A sentence or two, a paragraph on Amazon or Goodreads for example.

You may say that you’re not a book reviewer. You wouldn’t know where to start. It’s not difficult. Just write in simple language such as these examples:

I liked this book.

I enjoyed this book. I hope to read more by this author.

Easy. Five minutes. You can do it. And if you do write a simple review, like this, thanks, on behalf of every author for every book you review. You are who we write for. I guarantee you I read them and appreciate your extra effort more than I can tell you.

Here’s a link to where you can do that for Night People, Book 1 of Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves while it’s still in pre-release at GOODREADS: https://www.goodreads.com/book/show/25239309-night-people?ac=1

LA Times Festival of Books ARC Give-away

LA Times Festival of Books logoLarry and Andrew will be at the LA Times Festival of Books on Sunday on the USC Campus to give away promotional copies of Things We Lost in the Night, Night People. We’ll be in the Greater Los Angeles Writers Society (GLAWS) Booth 953 from 12:20 to 2:00 pm, Sunday afternoon, the 19th of April. The event is free, though parking is not.

Please drop by and see us if you plan to be there. If you’d like to pick up a free  Advance Reading Copy of TWLitN, please let me know at larry@larryjdunlap.com so we’ll be sure to have enough books on hand.

The Power of the Pill in the late 60s

“She’s Beautiful When She’s Angry” Mary Dore’s documentary of The Women’s Movement

06 March 2015 | By Reverend Irene Monroe

I’ve always contended that the Pill was one of the main contributors to many if not all of the upheavals of the 60s, not just the women’s movement that got started then. When Margaret Sanger, who felt that women should be allowed to pursue sex with the same sense of abandon as men, combined with Dr. Gregory Pincus, a biologist expert in mammalian birth, combined to create a birth control pill as easy to take as an aspirin, it changed the game entirely.  Many women recognized the power of being able to change their reproductive cycle from random chance to a matter of choice, and all the ways they could exert it on the world around them, especially socially. In the 60s, before the scourge of HIV and the lack of incurable, and possible life-threatening sexually-transmitted disease, this change introduced what was considered in many places a scandalous return to the sexual freedoms of the Garden of Eden, pre-fall.

As young men from the Midwest, we began to notice this new attitude when we were hired to work for a year doing shows at a ritzy topless night club in San Francisco’s North Beach, original home of the West Coast beatniks. Women were the instigators now. The saying “men proposed, women depose” wasn’t always true. The girls could also propose and decide the outcome of sexual encounters. Females taking off their tops in San Francisco was no longer hidden in sleazy strip clubs populated by lonely men in raincoats, but featured in the heart of the City’s nightlife. Audiences were filled with ‘date night’ couples, men in suits and women arrayed in top couture come to view the Topless Insurgency.

Four miles south of us in Haight Ashbury, the Peace and Love movement flourished, however it seems obvious to me that  ‘free love’ would have drowned itself in a sea of offspring if the ability of the girls and women there had been unable control pregnancy. Much of that movement was driven by the ethos of women, that love could conquer all, who wouldn’t have been able to take that leadership role if not able to postpone childbearing.

However, as the author of this article, points out, it wasn’t all romance either.

“March is Women’s History Month and Mary Dore’s documentary She’s Beautiful When She’s Angry helps us celebrate, remember, and cheer one of our most vilified sheroes of the last century, The Women’s Movement.

Zooming in on the years 1966 to 1971, Dore excavated the archival images of the birth of the movement. She captures the spirit, soul and fire of these fiercely courageous, brilliant and badass feminists who were fighting for the very same issues we fight for today – our right to control our bodies, and our struggle for freedom and equality. We stand on the shoulders of these mighty warriors.

And who said feminists aren’t any fun? Dore documents the hilarity, excitement, outright boldness and scandalous moments of the movement.”

– See more at: http://www.gaystarnews.com/article/discover-bold-brilliant-badass-feminists-60s060315#sthash.mSRFc4l9.dpuf

The Girl Who Named 3 Dog Night – June Fairchild

June_Fairchild-gazarri_dancers.com

June Fairchild (Wilson) 1971

Larry J Dunlap – https://larryjdunlap.com/ljd-blog/

I never met June Fairchild, though I first heard about her in 1968, and even then I didn’t know her name. Her given name was June Wilson and she was born in Manhattan Beach, California. Like many of the young beautiful girls of the 60s, she wanted to be a movie star. During the years she was with Danny Hutton of “Roses and Rainbows” fame , she took the fateful step of joining the Screen Actors Guild, discovering that someone had already taken that name. Danny, apparently suggested Fairchild for her stagename and that was accepted. June is famous for naming as well. When she read in a National Geographic that Australian Aborigines defined how cold nights were in the Outback by how many dogs you needed to sleep with to keep warm enough to survive she told Danny that’s what he should name his new band. If it was really cold, it was a three-dog night. It stuck and Three Dog Night when on to a memorable career.

It appeared that June would go on to a memorable career too, as she worked in several movies and danced on Hollywood A’ Go Go TV show with a troupe called the Gazzari Dancers,  though they have no official connection to the Gazzari’s night club where we and many, many other 60s band played. Somehow, in someway, in a haze of drugs and alcohol, she fell through the cracks. The Manhattan Beach prom queen, famous go-go dancer, actress with a brilliant life and future fell all the way down to a skid row cardboard box in downtown Los Angeles. The mean, mean streets of rape and beatings.

Floyd Sneed, pictured here with June last September, was who told several of the guys in our band that some people had come in to see us, as we sat around a table at the

Floyd Sneed with June Fairchild

Floyd Sneed with June Fairchild

Rag Doll night club in North Hollywood in 1968. But they’d missed us, it was our night off. Floyd had been playing our off-nights with an excellent little trio called “Heat Wave,” and we’d become friendly. Especially with our drummer Leonard. One night Leonard asked Floyd, who held his sticks like hammers, about his unusual style and Floyd said, “African Lighting, baby, African Lightning.” He explained that even when the people who came to see us discovered we weren’t playing that night, they stayed anyway and then asked him if he’d like to audition for this new super group they were forming. “Three lead singers,” he’d said. “I told you guys I wanted to play in a group like yours, and look what happened?” I can’t remember for certain but I’m pretty certain it was Reb Foster, one of Three Dog’s managers, and Danny Hutton.

When one of us asked what the name of this hot new super group was, he said Three Dog Night, Leonard, puzzled, wanted to know what that meant. Floyd shrugged. “I dunno. Danny’s girlfriend read something about how many dogs you gotta sleep with on a really cold night, but,” Floyd grinned, and leaned back in his chair. “How can guys in a band called Stark Naked and the Car Thieves question anyone else’s wacky name?”

June died of liver cancer last Tuesday, at the age of 68 in a convalescent home. http://www.latimes.com/local/obituaries/la-me-june-fairchild-20150219-story.html Two of her high school girlfriends rescued her several years earlier from the streets to get her to come to a reunion. Though life was difficult her living on social security disability she remained living in small downtown hotels doing her best. It may not be the newest story of the high-flying 60s, of the time and place, but it reminds me of the pitfalls and dangers my friends and I saw take down so many. There’s a donation site for June at http://www.gofundme.com/JuneFairchild I’m going to go donate to it in our group’s name. For June, and for many others who burned so bright and fell so far in those days of music and love.