AN ICON OF AMERICAN MUSIC HAS PASSED -…

AN ICON OF AMERICAN MUSIC HAS PASSED – DICK CLARK DIES AT 82. “Music is the soundtrack of your life” -Dick Clark.
For those of us who grew up in the era when Dick Clark’s American Bandstand was ‘must see’ TV, this is a big time loss. The music we saw on television was what motivated us to sing and want to record. http://marquee.blogs.cnn.com/2012/04/18/tv-legend-dick-clark-dies/

Stark Naked at the Galaxie 1966

Recently, Dave sent me some photos that had come to light. This one show our band in early 1966, I’m going to guess about February or so. Dave Rapken, was the club owner of one of the hottest topless bars in North Beach, back when the naughty but nice atmosphere brought celebs of every stripe over to the original Barbary coast, when he hired us to play at his club for a year. Though he never said, I am certain that the name Stark Naked and the Car Thieves really appealed to him. It had been a joke name to us but there was no changing it now.

Most of us were vocalists, recently arrived from Indianapolis, and we’d formed a band with some available musicians and played a couple of bay area, (mostly dive bar) clubs for a few months. Dave Rapken insisted on suits, as you can see in the publicity picture he arranged for. He also hired a pretty tough guy who had many years experience in Las Vegas. Eddie taught us stagecraft, virtually at gunpoint. Usually we did what he asked since he made such a point of it but on occasion, we slipped.

Sharing a dressing room with six topless dancers over a year was an education there was no way to prepare for, let alone if you were a recent emigrant from the Midwest. It was all part of growing up as A Naked Car Thief.

Across the top: Mac, Dave, Larry; across the bottom, Leonard, Les, Jack. I still can’t believe we were ever that young.

I met Eva through her husband. Ziggy…

I met Eva through her husband. Ziggy Stachniak, a professor at York University in Toronto. He interviewed me for a book he is doing about software distribution and the juxtaposition between NABU, a Canadian company and my company The Games Network, back in the mid-eighties. In conversation he told me his wife was a successful writer and so she is. I have already downloaded and begun Winter Palace, a historical novel of Catherine the Great. She sent Laurie and I us a nice note and links to her four books. She is a bestselling author and if you like 18th century European historical fiction you should enjoy her books.

For those of us who grew up in the era…

For those of us who grew up in the era when Dick Clark’s American Bandstand was ‘must see’ TV, this is a big time loss. The music we saw on television was what motivated us to sing and want to record.

Larry Dunlap produces for Easy Street Productions 1981

A view from the control room into the main studio.I recently found some masters produced by Easy Street Productions from my old recording studio, City Recorders. It was located in the basement of the Sunset Gower Studios near the corner of Sunset and Gower in Hollywood. These were from my last music producing sessions in 1981.

There is life after memoir, and though I didn’t have a clue what that afterlife would be when I left the band to manage it in 1971, ten years later I owned a studio, a production company along with a personal management company. But I was sick to death of the music industry and was getting ready to make a big leap into a new business offering computer games over cable television after these recordings.

These last three tracks are instrumental only; I was never happy with the vocals and decided I’d rather leave them off. These tracks remind me of the great a sound we could get out of the joint and how talented some of the people I got to work with back then were. The credit for these sessions go to Neil Diamond’s fantastic musicians, and arranger, our inhouse rhythm section, and mainly to Wizard (Richard Hart) our chief sound engineer, and Mark Evans, who was second engineer for these sessions, drummer, and my inestimable studio manager. You can HEAR THEM HERE, if you would like.

Finding time to produce was difficult because there was such a need to keep the rooms booked to pay the lease and the staff, and occasionally to find a few bucks for me. And producing was the main reason I got into the studio business, but like a drug you want better and better equipment and it costs more and more and you need more and more customers…

Book cover for A Naked Car Thief

First Draft of My Life as A Naked Car Thief Completed

Book cover for A Naked Car ThiefIt has been a long slog that began a long time ago for research, and nearly full time writing around a year ago. I’ve written enough words for two and a half books but I have finally completed the first draft of My Life as A Naked Car Thief. I must admit there are a couple of caveats: there are some unfinished chapters related to playing the Crown Room at the International Hotel while Elvis was in the main room. I am so pleased that Jim and Jan Seagrave are dipping into their vast resources to try and help me find the correct dates. And there is a slight hiccup with our Caesars Palace dates, which are minimal. It has been surprising to me the dearth of information about the Las Vegas of our era.

The final four chapters actually got written simultaneously for the most part; and there are some rough parts but it all works. The most exciting thing to me, something you just really can’t know until you finish a draft, is that there is a very real story of some pretty ordinary guys, okay I’ll just speak for myself here, an ordinary guy, since there was a lot of talent around me, from the Midwest who fell through the rabbit hole of the sixties and landed in San Francisco where they formed a band that lasted for a lot of years. My fear now is not about the story, it’s only in my own ability to do it justice. Though it is set in the drug-laced and culture-shifting sixties and the music and entertainment business of California, Las Vegas, and Honolulu, it’s mainly about people and how they struggle to survive and flourish, and fail and succeed, in such a maelstrom. It’s about a journey of time and place but also of growth, from callow youth to maturity. It’s about love and loss and living when you’re not sure you can. About realizing that what you get is sometimes worth more than what you want.

I may have to take a small break to get my breath back, I was pounding out many, many pages a week during the last couple of months as I sensed the finish line, but I’m looking forward to diving into the next, the really hard phase, shaping the second draft of these words into a readable story. I want to thank everyone, really everyone, that I have come in contact with during the process who have been so supportive, positive, and helpful in getting me this far. I’d just like to point out a few, my wife, Laurie, Christine and my brother writers from the Coffee House Writers Group, the band mates and wives I’ve been in touch with and some I haven’t, and the tens of people who I’ve contacted for research information. And, of course, the tubes of the World Wide InterWeb. It’s been a great to have so much help.

Just finished an important milestone…

Just finished an important milestone chapter before the end of the book, working title of TELEPATHY. As it probably should be, this is the hardest part for me to write emotionally. It’s very straight forward but it’s the beginning of my private descent into hell and it wasn’t a good time for the group either; Las Vegas, popular music and the kinds of rooms we played had begun to change, too. It was hard but it’s important to keep these changes we, and me, were going through in the proper perspective. There were moments of dark humor. Still, I get little heart bumps …