“Pleasure” Atlantic City 1967

http://www.atlanticcityweekly.com/
The Pleasure Of Your Company/Maria, Love and Music“I remember my mother watching your show when I was a child. Those songs are still in my head as an adult. I would like to know who sings “I’d Like to Have the Pleasure of Your Company” and what year was it released? Thank you — Veronica, via Facebook
”

“The group was called S.N. and the CT’s (Stark Naked and the Car Thieves). Basically it was a studio group that put it together on a little independent label called Sunburst. Didn’t do anything much nationally, but locally a great hit and can be found on the Geator’s For Dancers Only CD, volume 2. Great cha-cha record. The year was 1968.”

 

Trackback: http://www.atlanticcityweekly.com/news-and-views/ask-the-geator/Marvin-at-Midnight-132630228.html

Tonight: The War in Vietnam – The Sixties

DON”T MISS IT. Tonight The Sixties on CNN, 9 pm (EST), 6 pm (PDT), plus there are usually several re-runs. Covers the war from its beginnings through 1968. The face of war changed forever with this escalation.  Combined with the pictures that brought the brutality of the war to the home front, a new sense of power and disenfranchisement from the country’s youth, and the hangover from the loss of a young and popular president, the support for this war faded as the commitment to it by the government went up. Up until this war, as Bill Murray exhorts his army buddies it in Stripes, “We’re 10 and 1!”

For me, it was trying to find a way to stay with my band when the army was bound and determined to induct me. I had no political viewpoint in the beginning, and to the degree I did, I tended to trust the government implicitly then.  That all began to change when it started to impact my life and I had to figure things out.

My most personal experience was when Stark Naked and the Car Thieves performed for a couple of months at a nightclub in Honolulu in April of 1968, as the buildup of American forces followed the Tet Offensive during the height of the Vietnam War. 80% of the guys in the club were either on R&R coming from the war or going home. The emotional power of the songs we played to remind these warriors of home, girlfriends and wives, high school, families, and buddies, some of them lost by their side, came through to all of us there. As the messengers through our music we became instant friends, somehow passed into the intimacy of one solder to another, and it was all we could do to hold onto our own feelings sometimes. We heard many stories from the battlefield, reminisces from home and witnessed soldiers at the outer  limits of their ability to endure. But as humans do, they found humor and understanding and love in their experiences. While they thought we were enriching their lives, it was they who were enriching ours.

Over the last few years I have received a surprising number of messages from soldiers who saw us at the Lemon Tree on the beach in Waikiki. To a man they remember us for the music and how it helped connect them to the things most important to them. God love them all.

Here’s a little quiz about the 60s you might enjoy – What 60s personality are you?

Larry J Dunlap, Things We Lost in the Night, a memoir of love and rock n roll music

I won’t see TFiOS

Indianapolis writer, John GreenI was determined not to read this book or see this movie. I hate tearjerkers, I just won’t do it. Then I find out today that it’s set  in Indianapolis, and that author John Green is from Indianapolis, lives in Broad Ripple near where I grew up, near where many scenes in my book take place and realize I have to support a home town author! It’s a dilemma. I did read a blurb, and yes the dialog seems sharp and witty. The girl seems interesting, but no, I’m just not going to get invested.

My friends in Indianapolis tell me that there are all kinds of locations in Indianapolis in the book. It would be like visiting back there. All the kids like the book, they’ve given it a call sign, TFiOS, which must mean something. Many of the young readers say it has replaced Hunger Games in their affections, so that’s a positive. Well okay then, I’ll read the book, John Green, because it looks like you’re a fabulous writer, and I’d like to visit home. But that doesn’t mean I’m seeing the movie. I don’t cry in public.

A Lost Recording from 50 Years Ago!

The Reflections / Illusions '63 & '64

The Reflections / Illusions ’63 & ’64

For those of you who’ve been following along, Stark Naked and the Car Thieves began as an acappella vocal group back in Indianapolis. We called ourselves the Reflections when our very first recording was released in late 1963 on WLS radio in Chicago. Unexpectedly, our uptempo version of In The Still of the Night hit the Chicago charts in early 1964 at the same time the Beatles did with I Want to Hold Your Hand. If you can read the chart below you’ll see we arrived at #17 while the Beatles languished at #40. Our producer screwed up and lost or accidentally destroyed the master of In The Still of The Night so even though we got great airplay and were about to break out nationally, when the charts came out two weeks later, our record had fallen off into oblivion while the Beatles were on their way to number one.

WLS Chart Jan 17, 1964

WLS Chart Jan 17, 1964

What you don’t know is, and that’s because even I’ve never heard or seen a copy of the record since we recorded it 50 years ago, our producer rushed us into the studio to get another record out to try to take advantage of the tremendous interest in the Reflections up in the Windy City. Since we sounded a lot like the Four Seasons, he found a song by Larry Huff, who’d co-written Easier Said Than Done for the Essex, called In the Beginning. We tried to adapt to sound like it was from the original Jersey Boys right in the studio, recording literally overnight. By the time it was pressed, the Reflections who recorded (Just Like) Romeo and Juliet) had hit with their song, and our name and all the good will we’d built up with the previous record was lost.  He had to decide on the spot what we would be called so he decided we were the Illusions. But the record failed and soon the Indy Sound no longer existed.

Today, doing some research for Things We Lost in the Night, I ran across our recording on YouTube.  I can’t tell you how amazed and pleased I was. Made me glad I got up this morning. It’s the weirdest thing though, strangers have put almost all our records up on YouTube. I’m hoping the person who posted this knows where I can buy a copy of the original record.

OPEN HOUSE AT LARRYJDUNLAP.COM

Probably as good a time as any to invite you to the Open House at my new website! I’m halfway through my final draft and scheduled some time to get my site in order. Among other features, is a list of thirteen songs we recorded and that are an important part of Things We Lost in the Night. They’re listed in chronological order (excepting this one of course), and make something of a musical history of the band under its various names. It’s on the THINGS WE LOST page in the Songs from TWL tab here on this site. There’s also a First Chapter sample from the book and two audio excerpts as well as short blurbs from the book. Come one, come all! Look around. Log in , say hi. Let me know what you think.

Thanks – Larry

Watch The SIXTIES on CNN Tonight

Hey Everybody!

cnn_sixties_digital_myturnerDon’t forget to catch the first episode of The SIXTIES tonight on CNN. Shouldn’t be hard. It’s running several times over the evening. It was one of the most transformative decades of the past century. I’ll have mixed feelings looking back on it all.

Stark Naked and the Car Thieves 1968 Nehru jackets

Stark Naked and the Car Thieves 1968 Nehru jackets

And please keep your eye out for Things We Lost in the Night, a memoir of love and rock n roll music  set in the late sixties and coming soon in 2014. You had to be there to believe it, or at least have read the book.

All the best – Larry

 

My Mom, in memorium

My mom’s funeral is today. She was 96 and lived a long and rich life. She was a red-headed Irish woman that my dad always called a firecracker. She lived every day she wanted, pretty much the way she wanted it and when it was time to go left in dignity and peace. I will always remember the way I’ve written about her, a firecracker, but a sweet and supportive one. Below, is an excerpt about how my mom helped me at a crossroads in my young life.

FORTY-THREE YEARS ago on a cool and foggy September morning I’d sat with my sneaks in the gutter and my back against a bent and battered street sign in front of our house on Salem Street. The night before, near the beginning of my junior year at Shortridge High, an obsession to sing a certain song struck me like a firebolt direct-delivered from destiny. Despite a forced six months of piano lessons at fourteen my mom insisted every child should have, I’d shown no musical inclination or interest, let alone talent. Other than sports, and a compulsive and bewildering preoccupation with girls, high school had been a big disappointment and waste of time to me. From the moment I’d stepped through Shortridge’s massive, two-story entryway I sensed the danger of losing what nebulous adolescent identity I contained in the milling crowd of 2200 kids crammed together under those 18 foot ceilings. I’d struggled for two years to find my bearings. Homework was especially irritating. After school, I needed to be out looking for a pickup game, working on my jump shot, figuring out how to get taller, quicker, faster. Making the school basketball team in Indianapolis was the only sure way to recognition and acceptance. So far, I’d been hopelessly unsuccessful.

Last night on the radio though, while working on Spanish translations, the song I’d heard was so neat it captured my entire imagination. Tomorrow, I decided then, I’m going to learn how to sing that song.

This morning my plan of attack was to catch the Baldwin Brothers; Virgil, always called Ginko, and his brother Patrick, on their way to school. I’d chosen these neighborhood friends to help me sing this song without a clue of whether they knew how to sing or not. They didn’t, but after I put on a full court press to convince them on the short walk to school they agreed to try. And fortunately, they knew someone who did, and better yet he was in the Madrigal Singers, the school’s elite choir. When Hastings Smith Jr, agreed to help, the four of us would form my first singing group, the Aristocrats and my life would begin to change. I would meet the teenage dream girl who would eventually become my wife and I would finally feel, for the first time, that I’d find my own place in life to stand.

But before all that could happen, I needed to figure out a way to learn the song that possessed me. At first, during morning classes I hadn’t yet put the happy coincidence of my mom being in the record business together with my latest obsession, but before lunchtime, I realized I might have an ally.

“I need to find a song I heard on the radio last night, Mom,” I told her sitting in the kitchen in front of the formidable lunch she’d had waiting. I’d demolished my sandwich half, started in on the soup and was already eyeing the steamy bread pudding she’d just set out. Mom made the best puddings. “Anyway, since you work in a record store and all — would you help me find it?”

“Really?” She said, pulling up a kitchen chair and picking up her half of egg salad sandwich. “I didn’t know you liked music Larry.” This was always a special time for us when she fixed lunch for me, and we could talk together. Or, if she was busy, I could read one of my science fiction paperbacks, secure in her nearby presence.

“Oh it’s okay I guess. But I really just like this one song. I’m going to sing it with some of the neighborhood guys.” I looked up to see if Mom thought my idea was crazy. I always seemed to be off on some project or other, diverse as a registered Civil Defense club, outfitted by the US Government and the local army surplus store, prepared to protect our families from the imminent radioactive fallout whenever the Reds decided to bomb us, to organizing a pre-teen shoplifting operation, that had been nipped in the bud and got my behind stung.

“What‘s the name of the song?” Mom asked. “Do you know who the artist is who sang on the record? What kind of song is it? Some of this new music, the “rock and roll” style of music?”

“I’m not sure,” I said, considering her questions. “It was on the radio when I was doing my homework upstairs. Could be rock and roll I guess, but it’s kinda slow, so I’m not sure if that counts. I call it the Silhouettes song. I wasn’t paying too much attention to the radio because, you know, I was concentrating so hard on my Spanish,” I watched her eyes to see how that was going over. “So I missed the name of the song.

“But they kept singing ‘silhouettes, silhouettes,’ over and over again, so I think that’s gotta be part of the song’s name. It means,” I concentrated, ‘the outline of a solid figure as cast by its shadow’. I got the librarian to help me look it up during study hall. It’s not spelled the way it sounds you know, so I wrote it down for you.”

“Fortunately for you, I know what a silhouette is so you definitely came to the right mom,” she said, smiling. I grinned back. “And you probably don’t know the song’s label either?”  No, I didn’t. This was getting complicated but I remained determined. “But you did hear the record on the radio so we can assume it must be popular,” she considered for a moment.”Come by the record store after school and we’ll see what we can find. Now finish up your pudding and get back to school on time.”

My mom had begun working at the 34th Street Record Shop record store a few weeks before I’d heard the Silhouettes song. I thought it was odd, and a little unsettling for her to leave the house to go someplace to work back then, even though it was a block from home and part time. Maybe we needed the extra money, it was about when Dad was deciding whether to open his own insurance agency or not. Whatever the reason she seemed to like working there.

“YOUR MOM SAYS you’re here to buy a recording this afternoon,” the lady in the flowery dress behind the counter smiled like she thought I was a little kid. “Your first, I think she said, is that right?” I nodded and so did she. A crisp, peppery smell permeated the store; posters and pictures on the walls displayed what I guessed were music people. “Well I’ll let your mother help you find what you’re looking for.” The woman swiveled toward the back of the shop.

“Ivy, I believe your good-looking young man is here for you,” she said. This was embarrassing. I wasn’t her good-looking young man; I was her son for Pete’s sake.

“Hi Larry,” said Mom,“ coming to the counter. It was strange to see her working in a shop. I wasn’t sure I liked it.

“Uh, hi Mom,” I said.

“Are you here to look for your record?” Well, yeah, I thought sarcastically. But I nodded, going along with everything. “Okay, well step over here, please.”

Mom came out from behind the long counter, past the cash register, and walked to where tables with pockets stretched to the front window. “These bins here,” she said pointing to a row of labeled folders holding recordings, “these are 78 rpm records I’ve been clearing out. See how they’re numbered from one to ten?” Yes, I could see that. “Well, these are the top ten most popular recordings of single songs as listed in Billboard Magazine. A lot of people want to buy what’s most popular at the moment, this way they can easily tell.”

“Is my Silhouettes song in there,” I asked eagerly.

“No, but here’s what’s interesting,” she said, showing me some empty folders stacked on the floor.” We used to display the top twenty-five 78 rpm records before I took these out to store in the back.” She pointed to where she’d been working.

“So my Silhouettes song is over there, then,” I said confidently.

“No no, it’s not in that stack either,” she said crisply, walking a little further along the row of bins. “Here are the new-style 45 rpm records. We only used to display the top ten 45 rpm records, but the other part of my job today was to add fifteen more folders so we can rack the top twenty-five single 45’s; that’s according to Billboard Magazine, of course. Do you know what that means, Larry?”

“My Silhouettes song is here?” I said hopefully.

“45 rpm single records are becoming more popular than 78 rpm records. That’s what it means,” Mom said with satisfaction. “And I think that’s a very interesting trend, don’t you?”

I stared at her. What could she be thinking? Did I miss something? Maybe there isn’t any Silhouettes record. “Crimalnitly, Mom, what about my record? Couldn’t you find the Silhouettes song?” I said, in horror.

“Well, let’s consider this for a moment. Now that the twenty five most popular 45 rpm records are in these bins,” Mom said, sounding a lot like one of my dumb teachers. “And since we don’t have any 78 rpm records with the word silhouettes in their title, maybe we can find your record in the 45’s.” She smiled at me, and hope was renewed. “I thought you might like to look.”

“Sure Mom, I’ll look,” I said as I rushed to sort through the records in the slots. “Here’s one, Singing the Blues”, nope, Party Doll, uh-uh” I muttered as I pawed down through Pat Boone, Elvis Presley, Debbie Reynolds, Buddy Holly until in the bin marked, number 11, I found it.  “Silhouettes,” I reverently breathed out the oddly spelled word. ”By The Rays; on Cameo Records. Right here Mom. I found it.”

“Well, let’s make sure,” she said very professionally snatching the record in its pristine white paper sleeve out of my hand, and starting back across the store.

“But Mom,” I tried to point out trailing after her. “It does say Silhouettes you know, right there on the record.”

“Yes, but in here,” she said, opening the door to something like a public phone booth on the opposite wall. “You’ll know for sure because you can listen to your selection before you buy it. Lots of songs might have the word silhouettes in them; it is kind of a romantic word, don’t you think?” She smiled and drew me into the booth. She slipped headphones over my ears and all the sound in the world disappeared. I glanced up to see her put the record on a turntable, and it’s arm descended silently onto the vinyl plastic. A scratching sound like a hamster might make, broke the deafening silence, and then my Silhouettes song began playing, sounding better — much, much better than on the radio. I stared up at Mom. She was watching my surprised grin. She was enjoying herself, and that made me smile even wider.

Beyond the Candelabra – This 2013 HBO film is a flat, one-dimensional, embarassing mess

In a recent update to the update newsletter for LOOK BACK IN LOVE, a 60s tale of love and rock n roll,  I promised on the book’s website to write about who would be portraying our personal manager Seymour Heller in the recent HBO movie, Behind The Candelabra.  At the time I hadn’t actually seen the movie yet. Seymour Heller was best known for managing Liberace from a struggling pianist to a gigantic international star but he also managed Debbie Reynolds, and a long list of famous stars, that also included, Stark Naked and the Car Thieves in the late sixties. I not only knew Seymour from the three years he worked with me as the bandleader in managing our act from during those years, but also for the nearly three years later when I worked directly for him as an associate personal manager in the early 70s. I think that gives me enough credibility to comment frankly on this movie and how he and Liberace were portrayed. While I didn’t know Liberace nearly as well as Seymour, I met him often in the years when our band played at the Flamingo and International (Now Hilton) Hotels in Las Vegas, and afterwards working with Seymour.

Let me set aside for a moment my thoughts about the actual content of the movie. With several later years experience in video, film and post production, I have some strong opinions about the actual movie making process itself. As the movie unfolded, my wife Laurie and I constantly looked at each other wondering what in the hell we were seeing. The screenplay was just flat and poorly written — one-sided, un-nuanced and trite. It was adapted from an adversarial memoir, Behind The Candelabra, My Life With Liberace, by Scott Thorsen, who sued Liberace for palimony and is played by Matt Damon as a victim of Liberace’s seduction. Replace the gay young man with a young girl and any rich movie star or entertainer and you have the most over-worked Hollywood story ever written. Despite the amazing cast of characters, their performances were flat and one-dimensional and so many possible themes that could have been interesting and relevant were skipped in favor of the film’s exploitative goal. I thought the direction was uninspired, the cinematography average or below. I would be hard pressed to find any redeeming quality about the movie, amazingly enough, not even costumes.

I’d found it hard to understand why Seymour Heller was being played by Dan Ackroyd when I first heard about it; Sy was a personable guy but hardly a comedian. I heard a fiction writer say the best way to make a story believable was to make nine out of every ten facts in the story accurate. Apparently both the memoir and the screenwriter used this principal along with spin to deliver an inaccurate defamation of Liberace and an interpretation of Seymour Heller as a buffoon and pimp. I could never have believed the stars in this movie, many who must have known them both, would have taken part in such a character assassination of Liberace, or the parodying of an important and foundational man in the entertainment business as Seymour Heller if I hadn’t seen it for myself. Especially now that they are now dead and unable to defend themselves.

Lee and SyLet me tell you what I know firsthand. Seymour Heller, along with his New York partner, Dick Gabbe, practically invented the term personal manager. He fought to establish the talent management profession and worked with the big New York and Hollywood agencies to setup the rules that allowed them to co-exist. He established the Conference of Personal Managers, COPM, the first professional talent manager’s organization. Seymour began managing Liberace on a one year handshake contract in 1950 until Liberace’s death. Seymour was a tough negotiator and strict with his artists, and fought for them tooth and nail. He was a gentleman and wise in the ways of show business. There was nothing accurate in his portrayal in Behind the Candelabra. While we didn’t agree on everything, and I eventually struck out on my own, I always held Seymour and his integrity in the highest regard.

As for Liberace, he was an extremely kind and gracious host every time I met him. I did understand him to be thrifty, perhaps even tight-fisted except when it came to expenses for his show. Never did I see anything of the predator he is cast as in this movie. With Behind the Candelabra receiving 8 Creative Emmys, and likely to win several 2013 Emmy Awards I can’t help but feel sickened. I can’t believe I watched the same film. The cartoonish portrayal of Seymour and the single-minded depiction of a predatory Liberace disgust me. Very hard for me to see some of my favorite actors like Matt Damon, Michael Douglas, Scott Bakula, Dan Ackroyd, Debbie Reynolds in such damning roles.

If you do decide to see, or have seen the movie, I hope you’ll keep my opinions in mind.

Blog Party for BAND, memoir of A Naked Car Thief

Larry-photo-stillnakedHi, I’m Larry J. Dunlap, and I’m introducing my memoir BAND, memoir of A Naked Car Thief. I’ve been writing since the late seventies when I was in the business side of music. I did artist reviews and a cartoon strip for local music magazines then. Wrote my first story, a science fiction tale about built around a play-by-mail space empire game I was addicted to about then, too. I began professional technical writing after I’d gotten involved in technical training, eventually writing for Fortune 100 companies on contract. In recent years as the press of professional life lessened, I have returned to something I knew I’d have to do before embarking on any other authorial projects, a remembrance of my transition from a young Midwestern man/boy dreamer to a creator’s life in the warm California sunshine via a mid-sixties rock band. An excerpt from this memoir was published in an Inlandia Institute anthology last November.

I’ve always known it was likely I’d be a writer since I have been such an inveterate and addicted reader. For many reasons, I never attempted to write for a wide audience until relatively recently. During the six plus years I was leader of the rock band that grew out of my homespun vocal group in Indianapolis, I formed incredible bonds with my band mates. When we gathered to reminisce, we’d always remind ourselves of the interesting adventures we’d survived. I was always prompted by the guys saying, “Man, you have got to write a book about this.” As the years went by I heard from several of them saying that it was hard to talk about what we’d accomplished because no one could relate to their memories. When I could finally devote myself to this project I wanted to rectify that impression. I realized that vignettes, told out of context, sound like either bragging or disconnection. Telling our story would put it all in context. However, with our fading and differing memories there was only one way to do that, as a personal memoir. The more I settled into the project the more I realized I’d come to the right conclusion. I needed to write about my story, how I felt, what it meant to me, and let the rest of it shine through as I remembered and retold it.

My memoir starts on New Year’s Eve of 1964, though Book cover, BAND, memoir of A Naked Car Thiefchapter one covers a dangerous and violent night relating to the near hit record our vocal group in Indianapolis almost accidentally had in our nearby big city, Chicago. As a husband of two wonderful little boys and my high school sweetheart wife I loved, I was struggling with finding my creative place in the world. The environment around us in the structured world we grew up in and the hard line taken by our parents finally blew up when the group and I tried to turn ourselves into a working band. Though the first incarnation failed, a miraculous event sealed my fate and I was off to California to join my old buddies in a desperate attempt to create a rock band within a week in the seething musical chaos of San Francisco’s east bay dive bars. At the cost of the wrenching destruction of my family, the journey began that would carry us into adventure after adventure, to the top of San Francisco’s night life, through Hollywood, famous personal managers and record producers, to the heights of Las Vegas’ rock scene and the top of the largest Vegas resorts. A side trip to the Hawaiian islands found us performing for American warriors on R&R during the height of the Vietnam war, where I met a Hawaiian girl who touched me as deeply as my first love. As our status as performing stars rose, though we struggled with recording success, I was certain I’d reached the pinnacle of happiness and success. But there were undercurrents beyond my control that would bring me to the edge of sanity and the end of the music. Somehow I’d have to save my band, hope to save my new family, and try not to lose myself.

I’m currently working my way through the second edit. Memoir is a special form that I’ve come to really appreciate; I learned a lot from Wild, by Cheryl Strayed, and Candy Girl, by Diablo Cody, and read many, many others as I prepped for, and continue to write. I’ve adopted a narrative style including dialog to my memoir because that’s how I remember it even though it was so long ago. We moved through a time of great historical and cultural change the background behind the events of the story; there is no need to embellish the dramatic arc at all, it just is what it was. I hope other memoirists see their story as vividly as I see mine. I’m looking forward to finding more examples of this style to continue to inspire me.

Unfortunately, most memoir readers and many memoir authors see them as tearjerkers, while there’s certainly a low point in my story, so low that it feels more like black humor to me, I’m not looking for sympathy or redemption. Personally, I hate saccharine sweet stories. In my eyes I’m just trying to recount what I think of as a great adventure that I was lucky enough to be a part of, and survive — without judgment. To do this requires honing the skills and dramatic arts of authors of fiction. I hope from the Memoir’s Discussion Group on LinkedIn to be influenced by others who approach their life adventures in this way, and to be a source of influence to others in the style I’ve chosen.

Jimmy O’Neill dies at 73

Jimmy O'Neill, manager of Stark Naked and the Car Thieve 1967-68 It with deep regret that I read in this morning’s LA Times that Jimmy O’Neill had passed on at 73. Only a couple of weeks ago I posted a story about Jimmy, how he was our personal manager from early 1967 into 1968. He introduced us to Eddie Cobb of the Four Preps who became our first producer, and Seymour Heller, who became our personal manager after Jimmy. Jimmy’s partner was Burt Jacobs who after managing us with Jimmy, went on with Bill Uttley and Reb Foster to form and manage Three Dog Night. Jimmy’s second wife, Eve Johnson, was with him when we met him. It was a difficult time for him, he never quite recovered from the cancellation of his TV show Shindig! I’m sure I speak for all my bandmates of 1967-68 when I send condolences to his children and the hope that he rest in peace.

OBITUARY LOS ANGELES TIMES JANUARY 15, 2013

Book cover for A Naked Car Thief

First Draft of My Life as A Naked Car Thief Completed

Book cover for A Naked Car ThiefIt has been a long slog that began a long time ago for research, and nearly full time writing around a year ago. I’ve written enough words for two and a half books but I have finally completed the first draft of My Life as A Naked Car Thief. I must admit there are a couple of caveats: there are some unfinished chapters related to playing the Crown Room at the International Hotel while Elvis was in the main room. I am so pleased that Jim and Jan Seagrave are dipping into their vast resources to try and help me find the correct dates. And there is a slight hiccup with our Caesars Palace dates, which are minimal. It has been surprising to me the dearth of information about the Las Vegas of our era.

The final four chapters actually got written simultaneously for the most part; and there are some rough parts but it all works. The most exciting thing to me, something you just really can’t know until you finish a draft, is that there is a very real story of some pretty ordinary guys, okay I’ll just speak for myself here, an ordinary guy, since there was a lot of talent around me, from the Midwest who fell through the rabbit hole of the sixties and landed in San Francisco where they formed a band that lasted for a lot of years. My fear now is not about the story, it’s only in my own ability to do it justice. Though it is set in the drug-laced and culture-shifting sixties and the music and entertainment business of California, Las Vegas, and Honolulu, it’s mainly about people and how they struggle to survive and flourish, and fail and succeed, in such a maelstrom. It’s about a journey of time and place but also of growth, from callow youth to maturity. It’s about love and loss and living when you’re not sure you can. About realizing that what you get is sometimes worth more than what you want.

I may have to take a small break to get my breath back, I was pounding out many, many pages a week during the last couple of months as I sensed the finish line, but I’m looking forward to diving into the next, the really hard phase, shaping the second draft of these words into a readable story. I want to thank everyone, really everyone, that I have come in contact with during the process who have been so supportive, positive, and helpful in getting me this far. I’d just like to point out a few, my wife, Laurie, Christine and my brother writers from the Coffee House Writers Group, the band mates and wives I’ve been in touch with and some I haven’t, and the tens of people who I’ve contacted for research information. And, of course, the tubes of the World Wide InterWeb. It’s been a great to have so much help.