Writing About Miracles

maxresdefaultThe recent deaths of two important people in my life as covered in, Things We Lost in The Night, have caused me to continue examining how I conceive the Universe. The Introduction of Night People is a single paragraph about the uncertainty of the thin veil between life, and not-life titled Change. I included it because a specific theme of Night People is change. The Introduction in book 2, Enchanted, is a bit more of how I see the nature of our existence as I write about it. It’s here to remind me of the hypocrisy of being human in general, specifically as an author, in how I refer to miraculous or supernatural events in my writings. This is a second draft version of it — I can’t guarantee it won’t get altered a little before publishing.

Are FREE WILL and PREDESTINATION
mutually exclusive?

“If you can accept that we exist in a universe, or more accurately, a multiverse gigantic beyond comprehension, exclusively containing sparsely scattered objects made of matter or energy, that are subject to unyielding laws and rules embedded in its fabric, then it should be easy to allow that Predestination is the natural way of reality.
 
Our bodies, constructed of matter and energy also include our brains, likewise subject to these rules. The wonder of this incredible organ, this brain of ours, is that it is somehow able to host a mind, an entity that it is NOT composed of matter or energy. This remarkable awareness is able to receive physical signals relayed through our brain from our five senses to fabricate a model of the multiverse we can comprehend. For the most part, all of this is already accepted physics and the science of the brain though no one can explain the method of how the brain’s mind-hosting takes place.
 
The mind is the control mechanism of our surroundings, through it, we can direct our bodies to Change, within certain limits, the natural Predestination of the multiverse. Though these actions cannot contradict natural regulation, the results can be profound. The fundamental order of the multiverse may decree that a rock will fall from a cliff by force of gravity over time, but a human mind can move it’s host body to avoid being crushed if it happens to be beneath it. This is evidence that sentience can exercise Free Will (and proof of its existence), subject to the unalterable physical rules of the multiverse.
 
This demonstrates to me why there really aren’t any miracles, only events we cannot understand. However, I’m willing to use this label in a literary sense for incidents I can’t explain, so when I refer to miraculous or supernatural events in my writing, you’ll understand why.”

 

Night People Book Signing

TOMORROW, JUNE 11, LARRY J. DUNLAP AND MANY OTHER POMONA VALLEY WRITERS including Steve McCarthy and Rick Stepp-Bolling, will be signing books at the Glendora Library’s “Meet Your Local Authors” event from11 am to 1 pm. 140 S. Glendora Avenue in Glendora, CA 91741. I’ll be autographing print editions of “NIGHT PEOPLE, Book 1 of Things We Lost in the Night, A Memoir of Love and Music in the 60s with Stark Naked and the Car Thieves.” The book will be on sale for $14.99 and discounted, same edition but older cover, books for $12.99.  Both print editions purchases will include a free eBook.

FREE ALBUMS AND MORE
If you are local to this area, please stop by and pick up a free album of the Songs From: “Things We Lost in the Night,” including all the recorded songs from NIGHT PEOPLE, and the upcoming, ENCHANTED. I’d love to meet and sign an autographed bookmark for you. More info at Glendora Public Library Events.

Night People, Book Signing - Book 1 - Things We Lost in the Night, a memoir of love and music in the 60s with Stark Naked and the Car Thieves

REVIEW: NIGHT FILM by Marisha Pessl

Night FilmNight Film by Marisha Pessl
My rating: 5 of 5 stars

This is not quite a perfect 5 star book but too close not to give it. This author was passionate enough about her story to ‘worldbuild’ an entire career of a movie producer, with movie scripts, newspaper and magazine articles and to mix in various stars of screen and stage with her own characters. At times it was hard to believe Cordova didn’t really exist. The fatal flaw for me that stuck with me throughout the book, that she overcame by her sheer use of language, was that early on I lost my suspension of belief that her main character was a man. A couple of the description were from a woman’s eye. There were a couple of other nit-picking details but time after time, I’d have to stop and relish the wonderful similes and metaphors, and parts of speech she used. And the book didn’t tail off as so many literary novels do. Not a perfect ending, but right up to the end she kept up the suspense. I was very happy I read this cool book.

View all my reviews

NIGHT PEOPLE Book Party, Indianapolis, Oct 11

IRB-NP-102515 Flyer copy

Summer of Love

The History of San Francisco Music in the ’60s and its Influence Today

A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today. Source: Summer of Love: The History of San Francisco Music in the ’60s and its Influence Today

 

A look back at the festivals of the ’60s whose influence can still be felt in the music and festivals of today.

The year was 1967 and the place was San Francisco. It was the Summer of Love; a season of creative expression, free society, cultural revolution and arguably the beginning of what we now enjoy as modern music festivals.

I hit the road for Outside Lands this week and I can’t help but reflect (or slightly obsess) over the rich musical history that once graced the Bay Area. It was a time like no other — it was pure, quick-moving, and psychedelic — the Summer of Love irreversibly changed our culture forever. I grew up in Northern California, an hour outside of San Francisco, with my dad’s vinyl collection on continual rotation. The likes of David Crosby, the Doors, and the Who were constant companions of mine and I was captivated by an early age. I was in. But, alas, two decades too late… so this year I wanted to make a point to research this beautiful history and experience “today’s” San Francisco music festival with this knowledge in my back pocket. To feel the energy of the past, to respect the history and the people who pushed an artistic and creative generation forward.

Aug 04, 2015

 Posted by

Lest we forget. I remember too, Joanna. The first third of NIGHT PEOPLE takes place in 1965 and 66 in the music and nightlife of San Francisco. A fantastic time, though not all just good-time music festivals. And there were powerful musical stories taking place outside of Golden Gate Park, as well.

 Posted by Larry J.